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George Harliono Delivers Stunning Performance at the Victoria Concert Hall

On the evening of 30th August 2024, a quiet anticipation filled the Victoria Concert Hall as the audience took their seats, eager to experience the highly anticipated recital by internationally-acclaimed pianist George Harliono. As the lights dimmed, George stepped onto the stage, exuding a warm and humble presence. He expressed heartfelt thanks to the audience before introducing the first piece of the evening: Beethoven’s Sonata Op. 31 No. 2, the “Tempest.”

From the very first notes, it was clear that this would be a performance to remember. George’s control over the pianissimo passages was impeccable, each note delivered with precision and clarity. The sonata’s shifting moods—from stormy turbulence to introspective calm—were rendered with remarkable finesse. His clean, articulate execution, paired with an exquisite C. Bechstein D282 Concert Grand Piano, allowed Beethoven’s tempestuous spirit to sweep through the hall.

The next piece, “The Lark” by Glinka/Balakirev, holds special significance for George, who fondly recalled playing it at his first recital at the tender age of nine. As he began, the audience was transported to a scene at dawn, where the opening lines evoked the gentle songs of birds welcoming the day. The piece gradually unfolded into sonorous, melancholic passages, both virtuosic and tender. The chromatic lines, reminiscent of the sparkling sound of crystal, added complexity and showcased George’s deep connection to this beloved work.

With Balakirev’s “Islamey,” the atmosphere in the hall shifted dramatically. The piece opened with a burst of energy and vibrancy, George’s hands flying across the keys with astounding speed and precision. His spirited performance displayed technical prowess, leaving the audience in awe of his ability to navigate the piece’s demanding passages with such ease and flair.

George then took the audience on a journey back in time with selections from Rameau’s Suite in A Minor. His navigation through the intricate passages was masterful, each note delivered with clarity and attention to detail. “Les tendres plaints” captured the sentimentality of the piece beautifully, while “Les tourbillons” painted a vivid picture of a blustery day. “Les Cyclopes” evoked mythical scenes of stomping giants, and “Les Sauvages” brought a lively, vibrant energy to the program.

As George launched into Schubert’s 3 Klavierstücke, D. 946 – No. 1 in E Flat Minor, he immediately captured the intended textures of the piece, drawing out remarkable contrast and clarity, even from the farthest corners of the hall. The transitions between sections were executed with superb skill, maintaining the audience’s attention and carrying the tension and excitement through to the very end.

Tchaikovsky’s “Dumka” brought a touch of melancholy in the opening passages, which were pensive and reflective. As the piece progressed, this gave way to an exuberant expression, as if embarking on a joyful journey to the countryside. George masterfully painted a vivid picture of rolling hills, majestic grasslands, and open meadows—a testament to his ability to convey complex emotions through music.

The recital reached a dramatic peak with George’s performance of Stravinsky’s Firebird, as transcribed by Guido Agosti. This piece presents a formidable challenge to any pianist, translating Stravinsky’s orchestral genius to the piano with its intricate, nightmarish passages. George met this challenge head-on, capturing pivotal moments with precision. “Danse infernale” was a turbulent, intense portrayal of struggle, while the “Berceuse” lulled the audience with its haunting stillness. The “Finale” burst forth with exuberant energy, and as the final notes faded, the audience erupted into applause.

George returned to the stage for a series of encores, each captivating in its own right. From the tender strains of “The Moon Represents My Heart” to a dynamic, exhilerating rendition of Grieg’s “In the Hall of the Mountain King,” George demonstrated his versatility and deep emotional connection to the music. His heartfelt interpretation of “Bengawan Solo” was enriched with added sonic textures, and the evening concluded with an exquisitely delicate performance of “Can’t Help Falling in Love.” We indeed can’t help but fall in love with George’s immense talent and amiable personality.

Throughout the recital, George Harliono’s performance kept the audience utterly enthralled. His ability to serve the music, allowing its purity to shine through without imposing his will, marks him as one of the finest performers of his generation. In every note, George’s respect for the composers and his passion for the music made this an evening that will be remembered by all who were fortunate enough to be in attendance.

Be sure to follow Bechstein Music World on Facebook and Instagram for the latest updates on more concerts and other events for 2024!

About the Artist:

Born in 2001 in London, George Harliono began playing the piano at the age of 7 and quickly demonstrated prodigious skill, garnering international acclaim for his exceptional talent at a young age. He gave his first public concert at the age of 9 and, by his early teens, had already performed with major orchestras around the world.

Harliono’s career has been marked by performances at prestigious venues such as the Royal Albert Hall in London, the Berlin Philharmonie, and the Great Hall of the Moscow Conservatory. He has also appeared with renowned orchestras, including the Mariinsky Orchestra under the baton of Valery Gergiev.

In addition to his performance career, Harliono has won numerous awards in international piano competitions, solidifying his reputation as one of the leading pianists of his generation. His playing is often praised for its technical precision, emotional depth, and mature interpretation of the repertoire.

Despite his young age, Harliono has a growing discography and continues to expand his presence on the global stage. He is also known for his engaging personality and dedication to bringing classical music to wider audiences, including through social media and educational outreach.

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Triumph: Spirit Over Adversity – A Piano Recital by Ziyu Liu

On his 2024 world tour, young pianist Ziyu Liu is set to captivate audiences in Singapore on Sunday, 3rd November 2024, 7:30pm at the Singapore Conference Hall with a recital that promises to be an unforgettable experience. Triumph: Spirit Over Adversity will showcase an endless array of pianistic and musical wonders, featuring the Sonatas of Scarlatti, Beethoven, and Liszt, alongside the poignant tragedy of Ravel’s La Valse. This performance isn’t just a display of technical prowess; it’s an immersive journey into the inner worlds of some of history’s greatest composers.

Liu’s interpretations transcend the notes on the page, capturing the universal essence and emotional depth of these timeless works. His mastery of the piano invites the audience to delve into the rich beauty of European sound and the profound legacy of classical music. Performing on a legendary C. Bechstein piano, Liu has set out to breathe life into each piece, transforming the recital into a transcendental experience that highlights both his exceptional talent and artistic vision.

About Liu Ziyu

Ziyu Liu is no stranger to the concert stage. Born in 1998, he began his piano studies at the Beijing Central Conservatory of Music, where his early training laid the foundation for an extraordinary career. After earning his doctorate from the Hochschule für Musik, Theater und Medien Hannover in Germany under the guidance of the renowned Arie Vardi, Liu embarked on an ambitious world tour that began in January 2024 with a performance at Carnegie Hall. Since then, he has given solo recitals in nearly 30 cities across the United States, France, Canada, Germany, Singapore, and China.

What sets Liu apart is his ability to draw from both Western and Chinese influences, bringing a unique perspective to his performances. His passion for classical Chinese music was recently showcased in collaborations with acclaimed composers Zhang Zhao (张朝) and Ye Xiaogang (叶小刚), where he performed the world premieres of their compositions at New York’s Carnegie Hall and in Germany. These performances are part of a broader schedule that will see Liu continue to perform across Europe, North America, and Asia.

In 2024, Liu released his first album, Beethoven: The Late Sonatas. This landmark project represents the closing chapter in one of the most important legacies in piano literature, while also marking the beginning of Liu’s journey toward achieving the pinnacle of artistic expression.

The program for the upcoming Singapore recital includes works by Scarlatti, Beethoven, Liszt, and Ravel, carefully selected to showcase the breadth and depth of Liu’s musical artistry. The recital promises to be a celebration of the enduring legacy of classical music, brought to life through the unparalleled beauty of European sound and the emotional depth that Liu brings to each performance.

PROGRAMME*

  • D. SCARLATTI: Sonata in F Minor, K.466
  • D. SCARLATTI: Sonata in E Major, K.135
  • M. RAVEL: La Valse
  • L. V. BEETHOVEN: Sonata No. 32 in C Minor, Op.111
    • Maestoso: Allegro con brio ed appassionato
    • Arietta: Adagio molto semplice e cantabile
  • F. LISZT: Sonata in B Minor, S.178
    • Lento Assai
    • Andante Sostenuto
    • Allegro Energico

(*Programme subject to change at the artist’s discretion)

DURATION

Approximate program duration: 80 minutes
There will be a 15-minute intermission.

This is more than just another concert; Triumph: Spirit over Adversity is an exploration of the universal spirit that drives both the composer and the performer, making it a must-see event for anyone who appreciates the profound impact of music on the human soul.

Tickets will be available at Ticketmaster.sg from 26th August (Monday) at 2:00pm (SGT)

For more information, be sure to follow Bechstein Music World on their Facebook and Instagram Pages for the latest news on more concerts and other events for 2024!

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George Harliono to Grace the Victoria Concert Hall on 30th August 2024

Renowned British-Indonesian concert pianist George Harliono is set to captivate audiences at Victoria Concert Hall in Singapore on 30th August 2024. Known for his exceptional talent and musicality, George Harliono has garnered international acclaim, enchanting listeners worldwide with his masterful performances.

A Prodigy’s Journey: From a Worn Family Piano to Global Stages

George Harliono’s musical journey began at a young age, inspired by his older brother’s violin playing and their shared exploration of a well-worn family piano. Despite its poor condition, this instrument ignited George’s deep passion for music. His mother soon found a piano teacher to guide him, recognizing his dedication to practice and experimentation.

“In our home, we had a very old upright piano, I think it cost £100. It was really terrible, almost untune-able,” George recalls. “My brother and I would play around on it, making a terrible noise until my mum got so fed up with it that she found a local piano teacher to help tame us! I found that I enjoyed playing piano and would spend hours practicing and trying out new things. My parents are not at all musical, so they didn’t really know what to do with me when I became more and more interested in playing.”

Influential Mentors and International Acclaim

George’s first piano teacher, Claire Swainsbury, introduced him to the joy of playing, while renowned figures like Vladimir Ashkenazy and conductor Alexander Sladkovsky later played crucial roles in shaping his artistic path. Despite the limited appreciation for classical music in the UK compared to countries like Russia, George has achieved remarkable milestones.

In 2023, George Harliono won the Silver Medal at the prestigious XVII International Tchaikovsky Competition, further propelling him to international acclaim. His musical journey began at the tender age of nine, marking him as a prodigy with an extraordinary future. Over the years, he has amassed numerous accolades, including top prizes from the Grand Piano Competition in Moscow and the Sendai International Music Competition.

George Harliono’s stellar career features performances at renowned concert venues and collaborations with esteemed artists such as Denis Matsuev and Valery Gergiev. His award-winning rendition of Beethoven’s Piano Concerto No. 5 in Moscow stands as a testament to his exceptional talent and musicality.

A Mesmerizing Recital at Victoria Concert Hall, Singapore

George Harliono’s highly anticipated recital at Victoria Concert Hall in Singapore promises to be a mesmerizing experience. With his distinctive British-Asian heritage, George effortlessly navigates through various musical styles. The program will feature intricate French compositions, the raw emotional power of Beethoven, and the exotic charm of Glinka’s works. Each performance offers a glimpse into George’s versatile artistry, ensuring an immersive and unforgettable musical journey for the audience.

Attendees can look forward to an evening where passion and piano converge, showcasing the multi-faceted depth of George’s talent. His ability to evoke a wide range of emotions and command over diverse musical genres is sure to leave the audience deeply moved and musically satisfied.

Don’t Miss George Harliono Live in Singapore

Don’t miss the opportunity to witness George Harliono’s brilliance live. His recital promises not just a performance but an evocative journey through the landscape of classical music, revealing the true artistry of this remarkable young pianist.

This concert is presented by Bechstein Music Word Singapore.


About the Artist: George Harliono

Born in Hackney in the UK, British-Indonesian pianist George Harliono first embarked on his remarkable musical journey with an invitation to perform his first solo recital at the tender age of nine. Since then, he has captivated audiences worldwide, performing in prestigious venues across the UK, USA, Europe, and Asia, including Wigmore Hall, The Berlin Philharmonie Kammermusiksaal, The Royal Albert Hall, and Chicago Symphony Centre.

 

In 2023, George’s talent was further recognized with the Silver Medal at the XVII International Tchaikovsky Competition. His career highlights include recording Beethoven’s Piano Sonata at the Southbank Centre in London and a live broadcast performance of Tchaikovsky Piano Concerto No.1 in the Great Hall of The Moscow Conservatory on Russian national TV.

George has shared the stage with eminent artists and renowned conductors, establishing himself as a regular performer with various orchestras. His awards in numerous international competitions attest to his exceptional musical abilities.

Recently, George performed Beethoven Piano Concerto No.5 at Zaryadye Concert Hall in Moscow and Liszt Piano Concerto No.1 at the Frankfurt Alte Oper. He was also a featured artist at the Duszniki-Zdrój International Chopin Piano Festival in Poland.

Studying under Professor Pascal Nemirovski and having taken masterclasses with distinguished musicians, George’s development as an artist is also nurtured by conductor Alexander Sladkovsky. His talent has been praised by the acclaimed pianist Denis Matsuev, highlighting George’s promising future in the classical music world.

George’s academic achievements include a BMUS Degree from the Royal College of Music, where he was accepted at 15 with a full scholarship. He has also been recognized at the Classic BRIT Awards and the ‘440 Hz’ awards.

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“Poet of Piano” – Paul Ye Debuts to a Warm Welcome in Singapore

Kayserburg Artist & United Nations messenger for Sustainable Development Goals, and Goodwill Ambassador Paul Ye (叶子宸), played his debut recital in Singapore on 22nd April 2024 at the Victoria Concert Hall.

 

His performance was marked by skillful execution, captivating showmanship, and an array of emotional nuances on the Kayserburg KD275 Artist Series Concert Grand Piano provided by the Guangzhou Pearl River Piano Group. While some characterizations and emotions may not have fully translated into the performance, Paul Ye still delivered a solid debut that left a lasting impression on the audience. 

The recital began with Beethoven’s “Appassionata,” which started a bit tentatively but gradually transitioned into fluidity, concluding the third movement with an impressive flourish. Following this were heartfelt renditions of 20th-century Chinese masterpieces, “Birds Paying Homage to the Phoenix,” “Ode to the Yellow River,” and “My Motherland,”

“Birds Paying Homage to the Phoenix,” adapted by Liu Fengming, a renowned suona master, and Paul Ye, the successor of this masterpiece, vividly portrayed the lively and cheerful melody and the harmonious sound of hundreds of birds with the clear and delicate tone of the Kaiserburg grand piano KD275 resonates throughout this piece.

Drawing inspiration from Xian Xinghai’s renowned work “Yellow River Cantata,” “Ode to the Yellow River” from the second movement of the piano concerto “Yellow River,” and the poignant song “My Motherland” composed by Liu Chi, deeply resonated with members of the audience, overseas Chinese nationals in attendance, and new, young audience members who may be hearing them for the first time. Paul Ye’s selection of Chinese pieces brought a distinct East-meets-West flavour to the entire program.

 

Kayserburg Artist Paul Ye’s selection of Chinese masterpieces resonated deeply with the elder members of the audience at his Debut Recital at the Victoria Concert Hall.

A princely wardrobe change marked the start of the second half of the recital, where Paul Ye’s technical skills shined in the Chopin programme.

Chopin’s two waltzes, “Glorious Grande Waltz Op. 18” and “Waltz Op. 34 No. 1,” each possessing unique characteristics and contrasting melodies opened the second half of the recital. In “Barcarolle Opus 60,” Paul Ye skillfully captures the nuances of the waves with each note, demonstrating his remarkable skill and sensitivity on the piano.

Friedrich Chopin’s “Scherzo No.2, Op. 31” and “Scherzo No.3. Op. 39”, spirited and energetic compositions that captivated with its rapid passages and dramatic contrasts exude Chopin’s mastery of form and expression, with cascading scales and fiery runs punctuated by moments of introspection and longing. Together, these scherzos exemplify Chopin’s ability to blend technical brilliance with emotional depth, leaving a lasting impression on listeners with their exuberant charm and virtuosic flair, all skillfully executed by Paul Ye.

“Andante Spianato at Grande Polonaise Brilante, Op. 22” commenced with a serene atmosphere created seamlessly evolving from gentle phrasing and expressive nuances in a tranquil introduction to set the stage for the ensuing “Grande Polonaise Brillante,” a grand and majestic dance in the traditional Polish style.

Paul Ye played 3 encores acknowledging the youngest members of the audience – our students! – playing his takes on learner favorites with a unique twist, the theme from “Interstellar”, the theme from “Pirates of the Caribbean”, and Yiruma’s “River Flows in You”, pieces we have surely heard our students play at Cristofori! We certainly hope this has inspired our young learners to pursue their journeys with renewed passion and inspiration.

This concert was organised by Kayserburg Music School.

 

Kayserburg Music School’s vision to serve as a cultural bridge between Singapore and China was prominently highlighted during the event. With a commitment to providing a platform for aspiring musicians to showcase their talent on the global stage, the school aims to nurture and empower the next generation of music virtuosos.

 

Be sure to follow them on Facebook and Instagram for more concerts and other events!

 

About the Artist:

Paul Ye  (叶子宸)

Winner of the 2008 Ettlingen International Piano Competition, Paul Ye made history as the second Chinese pianist to achieve this honor since Lang Lang in 1994. Joining the Robert Schumann Hochschule Düsseldorf at 12, he became the youngest Chinese to perform at Vienna’s Golden Hall of Musikverein. Ye has performed in nearly 100 concerts across Europe, captivating audiences with major orchestras. Besides music, Ye is committed to conservation and social change, serving as a UN messenger for Sustainable Development Goals and Goodwill Ambassador for Yongtai Prefecture, Fuzhou, China. His performances have graced global stages, including the 31st Summer Universiade in Chengdu and the 19th Asian Games in Hangzhou, with coverage by CCTV.

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