Blog

Bridging East & West – Reflections on the Unifying Power of Music with Song Ziliang

11th December 2022 – We had the honour of attending an intimate recital session by Song Ziliang, an International Pianist and Educator at the Bechstein Music World Recital Hall.

Song Ziliang was described in the Straits Times as ‘brimming with talent and conviction’ and ‘grandly good’ following sold-out concerts and recitals. Ziliang graduated from the Royal College of Music, London with a Masters of Music in Performance (Distinction) under the tutelage of Gordon Fergus-Thompson. He has also studied at the Moscow Conservatory with Mikhail Petukhov. His studies in Russia and the UK were sponsored by the Trailblazer Foundation.

Currently a music educator, Ziliang contributes to the development of the arts through annual performances and commissioning musical works based on Singaporean themes, such as the Laksa Cantata by Chen Zhangyi. 

 

With a hope to foster greater inclusivity within our communities, Ziliang continues to perform on the piano, curating programmes that explore parallels across different cultures.

 

In his recital program on the 11th of December, Ziliang chose a number of pieces from composers whose music is closely linked to the Bechstein piano. Incidentally, some of these pieces are also close to his heart

Ren Guang – Wang Jianzhong彩云追月 Colourful Clouds Chasing The Moon
The next three pieces, all in the key of D-flat, were played in succession. Interestingly, Ziliang points out, composers from East and West chose the key of D-flat to express their interpretations of moonlight. Perhaps our cultures are not so different after all.
Lu Wencheng – Chen Peixun 平湖秋月 Autumn Moon on a Calm Lake
Claude DebussyClair de Lune
Franz LisztÉtude No. 3, Un sospiro from Three Concert Études S.144
Following the succession of 3 pieces, Ziliang remarked a quote from Claude Debussy saying that his (Debussy’s) music sounded best on a Bechstein grand. 

Indeed every dynamic shift and delicacy was crystal clear on the Bechstein D282 Concert Grand Piano that Ziliang played that afternoon. He even commented on a review of the recent concert by Sir Stephen Hough playing on the same model of piano (which we also had the honor of attending earlier this year) that said, the author heard nuances in the music that he had never heard before on any other piano. Bechstein pianos are truly a marvel of piano craftsmanship!

The program then went on to explore a genre of the Romantic era that was a feature in the period that the Bechstein piano was born with the Chopin Etude and Ballade, and then closed with a piece that was premiered on a Bechstein piano.

Frederic ChopinEtude in E minor, Op 25. No. 5 

Ballade in G minor, Op. 23 

Bach-BusoniChaconne in D minor

All in all, this was a beautifully curated program executed wonderfully on a beautiful instrument that brings past tradition into a bright future! We certainly look forward to Song Ziliang’s next recital.

 

Want to see what else we’re up to? Check out our Blog Page, or follow us on Facebook and Instagram at @rockschoolsingapore and @rs_event_center 

 

Read more
Winnersbanners scaled 1
Blog

Things You Might Not Have Known about Yunchan Lim

Following Yunchan Lim’s recent performances in Singapore (we’re still amazed, by the way!), we went down the rabbit-hole and found a special interview with the youngest ever winner of the Van Cliburn International Competition by EPTA UK Trustee Yulia Chaplina (herself an accomplished pianist, having won 7 international piano competitions including the Gold Medal at the Tchaikovsky Competition for Young Musicians). We would love to share some of our favourite parts with you via some trivia about Yunchan Lim.

Rising Star – 18 year old pianist Yunchan Lim on a C. Bechstein D282 at the Martha Argerich & Friends concert in Singapore on 9th November 2022
  • Yunchan Lim almost couldn’t participate in the Van Cliburn Competition!

He said, “The most worrisome part was that I might not be able to participate in the competition due to Covid-19 before I went to the US, because three days before I left the country I was so sick that I couldn’t do anything because I suddenly had a cold. But it suddenly got better a day later, and the Covid test was negative, so I was able to participate in the end.”

 

What a lucky break!

 

  • He has been working with his teacher Minsoo Sohn since he was 13 years old.

One of the most important things Yunchan Lim has learned from his teacher is that “Improvisation on stage is very important. You can change the music freely depending on your condition at that time, not as you practise. It is one of the basics every pianist should have and I think it is very important.”

 

Improvisation is a skill that is encouraged and features in the Rockschool Contemporary Piano, and the RSL Classical Piano syllabus too if you’d like to check it out. Visit us at any of our office locations for a closer look!

 

  • Yunchan Lim has been learning the piano since he was 7 years old. 

Yunchan said it was not an easy journey. He had to travel far away to his piano lessons, and it involved a lot of time and practice. “There were many things that I could not handle at my age since i was young”

 

  • He has dreamed of becoming a pianist since he was 8.

“I never thought I’d be a pianist. But I wanted to be a pianist, and I prayed every single day since I was 8 years old.”

  • He plays a lot of scales

Yunchan says, “Unlike a genius pianist, I’m not born with anything. I practised scales without skipping a single day!”

 

Yunchan Lim at the Van Cliburn Piano Competition held at Fort Worth, Texas, USA
  • He practices 6 hours a day – at least!

And that’s after his studies with his teacher Minsoo Sohn. “I practise to bring the music out of my mind into reality”.

 

  • His favourite part of practising is…

“When music finally recognises my heart and expresses it in real life as I want.” 

 

If that doesn’t endear this young pianist to the world, we don’t know what will. We will eagerly look forward to Yunchan Lim’s next endeavours in the Music World.

The full article was published in Piano Professional Issue 59 September 2022 and can be accessed here.

 

Want to see what else we’re up to? Check out our Blog Page, or follow us on Facebook and Instagram at @rockschoolsingapore and @rs_event_center 

Read more
Screenshot 2022 11 12 at 12.56.10 PM
Blog

Musical Excellence and a Rising Star – Martha Argerich & Friends Live in Singapore 2022

Over the course of three nights from 7th to 9th November, Martha Argerich shared the stage with friends and family in chamber music with the Orchestra of the Music Makers.

A Legend in the Flesh

Seeing a living legend perform live in person was such a surreal experience for a sold out crowd at the Esplanade Concert Hall.

Watching Martha Argerich and 3 generations of her family, along with special guests and new blood in the Classical Music World performing together truly brings home the value of music in uniting and bringing people together. 

South Korean pianist and youngest ever Gold Medalist at the Van Cliburn International Piano Competition – Yunchan Lim takes the stage under the watchful eye of living legend Martha Argerich (top left corner).

 

Keeping with her longtime commitment to championing the future of classical music, Argerich triumphantly presented the next generation of young pianists in her festival, including her 14-year-old grandson David Chen, and most notably the newly-crowned Van Cliburn Competition winner Yunchan Lim.

Conductor and pianist Darío Alejandro Ntaca masterfully conducted the Orchestra of the Music Makers for the concert series.

 

Witnessing a Rising Star

Rising Star – 18 year old pianist Yunchan Lim on the C. Bechstein D282.

A very special highlight for the concert series came on closing night, 9th November 2022. Rounding out the festival was a powerful performance of Beethoven’s “Emperor” Concerto (Piano Concerto No.5 in E-Flat Major) by rising star of the classical piano world Yunchan Lim.

Lim played on a superb instrument, a C. Bechstein D282 Concert Grand Piano generously provided by Bechstein Music World Singapore

One with the Orchestra – pianist Yunchan Lim fully immerses himself into the music with the Orchestra of the Music Makers.

Yunchan Lim has become known for his unique approach to interpreting and immersing himself in the music. Because of this vision, Lim truly brought the grandeur of the Emperor Concerto to life, expertly melding and weaving in with the orchestra. In an interview after the Cliburn Competition Final, he said, “While (I was) playing, I first opened my heart to the orchestra members, and they tuned in to me.” This was indeed evidenced in his performance on closing night at the Martha Argerich and Friends series. Absolutely a musician living for the music, and thus a treasure to the world. We are so excited to see where his budding career in Classical Music takes him.

Kudos and congratulations are in order for Altenburg Arts efforts in organising this spectacular festival – truly one to be remembered in the years to come!

For more updates and information, visit the official Instagram, and our facebook!

Check out what else we’ve been up to by visiting our Blog.

 

Read more
20221030 zhanghaiou
Blog

Yellow River Piano Concerto – Haiou Zhang and C.Bechstein Pianos Grace the Elbphilharmonie Hamburg to Mark the 50 Years of China-Germany Diplomatic Relations

“Everything in Flow” was the title of the concert held on 10th October 2022 that internationally-acclaimed pianist Haiou Zhang gave together with the Nuremberg Symphony Orchestra in the Elbphilharmonie Hamburg, one of Germany’s greatest concert halls, seating 2,100 whereby the performers are in the center of the hall surrounded by the audience in the vineyard style arrangement. The occasion was the 50th anniversary of diplomatic relations between China and Germany. 

20221030-zhanghaiou2

zhanghaiou3

Chinese pianist Haiou Zhang, who now lives in Germany, put together a programme together with the Nuremberg Symphony Orchestra that couldn’t be more symbolic.

 

Schumann’s “Rhenish” Symphony celebrates the great German river with infectious Romantic verve, full of joie de vivre and flowing melodies. Premiering at this venue and in contrast to the Schumann, “The Yellow River” piano concerto, based on the cantata of the same name by the Chinese composer Xian Xinghai, stands for Chinese independence, and was written in 1968/69 as a collective composition in the spirit of positive socialism. The Mozart piano concerto forms a connecting link between the two worlds, for Mozart embodies the direct, cross-border power of music more strongly than almost any other composer.

 

Haiou Zhang and the Nuremberg Symphony Orchestra played to a sold-out house and received standing ovations after the performance.

zhanghaiou4

Read more about this amazing performance on the C. Bechstein official website, and on Haiou Zhang’s official Facebook.

Read more
Screenshot 2022 10 28 at 7.42.25 PM
Blog

Double Bechstein D282 Grand Pianos at A Concert of Hope by Poh-Lin Koh and Raymond Lin

Pianists Poh-Lin Koh and Raymond Lin played 2 intimate concerts at Bechstein Music World for charity. 

Double Bechstein D282 Grand Pianos at A Concert of Hope by Poh-Lin Koh and Raymond Lin.Bechstein

The audience of around 60 were there to share the music and support donations to elderly care services run by Filos Community Services.

Bechstein 2 Poh-Lin Koh is a virtuoso solo pianist who has performed across Canada, Europe, and Asia. She was active in Singapore in the 1980s, until she moved to Canada, where she is currently based. She is critically acclaimed in multiple countries for her expressive playing and brilliant fingerwork.

Raymond Lin is a medical professional who plays the piano as his passion. He studied under the late Yeoh Siew Lan. He and Poh-Lin met while in secondary school at the Anglo-Chinese Junior College studying for O-Level Music. At home, Raymond Lin composes original music and plays piano recreationally on a Bechstein Concert 8 Upright Piano.

At Bechstein Music World Singapore on Thursday, October 20th, at 7pm, and Saturday, October 22nd was a two piano concert comprising Bach-Gounod Ave Maria, Thomé Andante Religioso,  Chopin piano concerto no. 2, Mozart, Elvira Madigan, Debussy 4 hands from Petit Suite, “Five Miniatures from the Pandemic” – an original composition from Raymond Lin, and concluding with the spectacular Chopin Adante Spaniato and Grand Polonaise.  

Bechstein 3

Read more
Martha Argerich Friends 2022 EP 1194x556 2
Blog

Living Legend Martha Argerich Returns to Singapore for 3-Day Concert Series

November 2022 is shaping up to be a fantastic month for Classical Music in Singapore. Among this month’s highlights is a series of concerts by Concert Pianist Extraordinaire, Martha Argerich from 7th – 9th November at Singapore’s national performing arts centre, the Esplanade whose futuristic architecture proves to be a fitting match to Argerich’s commitment to bringing classical music into the future!

Martha Argerich, (born June 5, 1941, Buenos Aires, Argentina), Argentine pianist known for her recordings and performances of chamber music, particularly of works by Olivier Messiaen, Sergey Prokofiev, and Sergey Rachmaninoff. A prodigy, Argerich was performing professionally by age eight.

The Esplanade Theatres on the Bay is Singapore’s National Performing Arts Venue celebrating it’s 20th Anniversary in 2022

Known for decades as “the greatest pianist in the world, the artist whom other pianists almost universally venerate for her formidable technique and her instinctive musicianship” (Washington Post, 2016), the legendary Martha Argerich returns to Singapore to headline her first festival here!

 

Martha Argerich and Friends – Live in Singapore

Over the course of three nights, Argerich will share the stage with friends and family in chamber music, and with the Orchestra of the Music Makers with her definitive interpretation of Robert Schumann’s Piano Concerto.

 

Keeping with her longtime commitment to championing the future of classical music, Argerich is also immensely proud to present the next generation of young pianists in her festival, including her prodigious 14-year-old grandson David Chen and the newly-crowned Van Cliburn Competition winner Yunchan Lim.

 

Also featured will be Martha’s daughter, Lyda Chen Argerich on Viola, and conductor and pianist Darío Alejandro Ntaca together with the Orchestra of the Music Makers.

 

 

Piano Provided by Bechstein Music World

Martha Argerich and Friends will be playing at the Esplanade Concert Hall on the C. Bechstein D282 Concert Grand Piano generously provided by Bechstein Music World Singapore for this concert series.

Martha Argerich on a Bechstein Concert Grand Piano at Das Tsinandali Festival in 2020

 

Here’s what we have to look forward to:

 

Programmes

CHAMBER MUSIC

Monday, 7 November 2022, 8:15pm

 

CLARA SCHUMANN – Three Romances, Op. 22

            Lyda Chen Argerich, viola

            Martha Argerich, piano

CHOPIN – Fantasie-Impromptu, Op. 66

            David Chen, piano

RAVEL – Ma Mère l’Oye (Mother Goose)

            Martha Argerich, piano

            David Chen, piano

RACHMANINOV – Symphonic Dances, Op. 45

            Darío Alejandro Ntaca, piano

            Martha Argerich, piano

 

**

 

ROMANTICS

Tuesday, 8 November 2022, 8:15pm

 

WAGNER – Prelude to Act 3 of Lohengrin

BEETHOVEN – Piano Concerto No. 1 in C major, Op. 15

BRAHMS – Tragic Overture, Op. 81

SCHUMANN – Piano Concerto in A minor, Op. 54

David Chen, piano (Beethoven)

Martha Argerich, piano (Schumann)

Orchestra of the Music Makers

Darío Alejandro Ntaca, conductor

 

**

 

GENERATIONS

Wednesday, 9 November 2022, 8:15pm

 

HINDEMITH – Trauermusik

RIMSKY-KORSAKOV – Scheherazade, Op. 35

BEETHOVEN – Piano Concerto No. 5 in E-flat major, Op. 73

Lyda Chen Argerich, viola (Hindemith)

Yunchan Lim, piano (Beethoven)

Orchestra of the Music Makers

Darío Alejandro Ntaca, conductor

 

(Programmes subject to change at the artists’ discretion)

 

Get your tickets now at Sistic.com. This Concert series is brought to you by Altenberg Arts Pte Ltd.

Read more
20221021 cms cover
Blog

YouTuber Superstar Visits Cristofori Experiential Centre @ Funan!

YouTuber superstar and Casio Japan global ambassador  Sumino Hayato, also known as Cateen, was in Singapore and paid a visit to the Cristofori Experiential Centre at Funan Mall on the 15th of October 2022!

cms cms1

Our Funan outlet is privileged to be the first and only music store in Singapore to be selected to display the newly launched Casio Privia series PXS-7000 piano, which Cateen graciously performed for us on to give a demonstration of this latest model from Casio.

cms3

cms4 With its slim, stylish and lightweight body, the Privia PX-S1100/PX-S3100/PX-S5000 is portable and can fit and compliment any space that it is placed in. It is also equipped with smart functions that can broaden the way you perform and enjoy music. With its ultimate accessibility and innovative functions, this model promises a closer, more personal connection to music.

The new Casio PX-7000 comes in 3 colors, Black, White, and Harmonious Mustard.

If you’d like to try the Casio Privia series models for yourself, head over to the Cristofori Experiential Centre at Funan Mall, #04-10 Funan Mall (S179105). We hope to see you there!

Read more
Screenshot 2022 10 15 at 11.05.20 AM
Blog

Asian Supreme Drum Competition 2022 Grand Finals

Spirits were high at the Asian Supreme Drum Competition 2022 Grand Finals, with a total of 87 finalists vying for the top spots in 4 main categories at the Singpost Theatre in Singapore. 

The day opened with the final rounds in the Rockschool category where contestants played their renditions of the Rockschool Drums pieces in Grades Debut to Grade 5. This very special category allowed students learning Rockschool in Singapore, and other parts of Southeast Asia to participate and experience the competition too, making the Asian Supreme Drum Competition 2022 one of the most accessible competitions in the world!

There were stellar performances by the contestants in the Junior, Intermediate and Open age group categories with a mix of Samba, Rock, Metal, and Fusion pieces filling the auditorium with electrifying grooves.


This year’s competition saw more than 500 participants joining from over 12 countries including Singapore, Thailand, Malaysia, India, Philippines, USA, China, Korea, the UK, Myanmar and Canada.

Finalists not only hail from Singapore, but many flew in from Indonesia, Malaysia, Thailand and beyond to be a part of the competition.

Congratulations to all the Winners, as well as to all this year’s Finalists!

Special thanks go out to Rockschool Singapore for their support and to all our partners in Singapore and all over the world as well as to all the participants and their families for making this event a great success!

For more updates and information, visit the official RS Event Center Facebook Page, Instagram, and our official website!

Read more
IMG00033 scaled
Blog

2022 Pearl River Digital Piano International Competition Singapore & S.E.A. Regional Finals – Conquering Obstacles in the Name of Music

Children Category Winners
IMG00632-1-scaled

Junior Category Winners
IMG00663-scaled

Intermediate Category Winners
IMG01166-scaled

Open Category Winners
IMG01182-scaled
 
The Pearl River Digital Piano International Competition 2022 held its Regional Finals on the 2nd of October 2022.

We were privileged to witness some of Singapore’s best aspiring young pianists, many of whom were taking their first steps into the competition experience! 

A total of 51 finalists out of over 400 candidates gave splendid performances in competing for top spots in the Regional Finals. We are truly humbled  by the support shown by all the participants, as well as inspired by their stories and the face that for many, the Pearl River Digital Piano International Competition 2022 became their stepping stone to overcoming obstacles in their pursuit of their musical journeys.

Speaking on their experience at the Pearl River Digital Piano International Competition 2022, we had a quick chat with a few top prize winners who shared their thoughts on the competition.

 

Open Category 1st Prize – Pariyakorn Tankanarat

875605DA-8A11-4F31-9C8E-2965ADE438A4_1_105_c
Q: What was your experience like in entering and preparing for this competition?

“At first it was unintentional to join this, because for the qualifying round (the deadline) was the first of this month at midnight, ad i just submitted the Google form at 11:58 (laughs), and at that time i was confused very much (sic), and i think “ok, I’ve submitted it, so i have to fight and do my best, so over the month i kept on practice, practice and practice a lot… and i have to thank my friends and my family, and my professor, and myself also for never quitting.”

Q: Was this your first competition?

“No, actually I have joined around 2 or 3 competitions but in Thailand, so this is the first International competition that I’ve joined.”

 

Open Category 3rd Prize – Boo Kok Chuon:

689D4BFF-4643-45C5-B31D-2B5A2215FB7B_1_105_c

Q: How would you describe your experience joining and preparing for this competition?

“Actually, why I joined the competition in the first place was to accompany my daughter but she didn’t manage to get in, I got in (laughs), but anyway I would say that it is a fantastic experience personally, and I got to see a lot of high quality piano players. I am truly grateful for the opportunity and really honoured to be one of the finalists.”

Q: Were you expecting to be a finalist?

“Actually not really, because I’m using my own composition, then I’m competing against the works of giants, so I wasn’t really expecting that my own work could actually be on the same stage and I never expected to place 3rd in my category.

Q: Do you have any message to others who may be looking to join the Pearl River Digital Piano International Competition in the future?

“Initially I was a bit discouraged (to join) because I suspect that I may be the most senior participant (laughs), but in any case, don’t let this (age) be an obstacle… don’t bother about all these concerns, ultimately it’s the experience that counts.”

Fun Fact: Boo Kok Chuon holds a corporate job, but music has always been a passion for him. He played his own composition “Wave Sonata” for the Finals.

 

Intermediate Category 3rd Prize – Hanyu Li:

F23D51A0-273A-406C-AE97-7AD53522B363_1_105_c

Q: How would you describe your experience joining and preparing for this competition?

“Considering that this is my first piano competition, this is actually quite the experience because i’ve never actually done anything like this before, so I’d say it was an emotional roller coaster.

Q: What made you decide to join the Pearl River Digital Piano International Competition?

“Uhh, how honest do I be with my responses? (laughs)… Part of it is because i’ve been playing piano for a total of 10 years now, so I’ve gone a long time without actually joining a competition, so i wanted to have this experience of competing with other pianists and hearing others play physically, so like a piano festival with some stakes added, not to mention my teacher also wanted me to enter one (competition) so yeah (laughs).”

“It was the most available one in the post-COVID era and other competitions have been hard to find or are being held elsewhere, but this one i had seen all over (on social media, at music schools) and you could find out a lot about it very quickly, so i think the media exposure that it gets is a lot more than other competitions (that I wasn’t aware of).”

Q: Any message to other pianists such as yourself who perhaps are also hesitant to compete?

“Just join, it’s fun! (laughs) You may be nervous at first, but at the end of the day you’re playing piano so you can have others hear and enjoy your music so i think it’s worth it to come to piano competitions where you can express your piano playing on a platform where others can hear you as well.” 

 

Intermediate Category 3rd Prize – Gelasia Chan Cee Hwee

F6FF1E4A-E688-4EFC-8B3A-29FE53E363A4_1_105_c

Q: What would you say was the biggest challenge in preparing for this competition?

“Thinking of a way to deal with the anxiety that comes with participating competitions, because i get a lot of stage fright so even if i’m able to play it properly at home, when i play in front of others it usually sounds more messy so it was definitely more of a mental preparation and finding ways to deal with the stress that i’m going to experience on the day itself.”

Q: Is there any advice you would like to share with other young pianists who may experience the same sort of anxieties as yourself?

“It may help to think that, you know, you only get one shot at this, so before your turn comes around, you should really just mentally prepare yourself and when you get to the piano, just take a moment to take a deep breath, and then think about how you want the first few notes to go because it’s always the first few notes that will set the tone for the rest of the piece. Just take a moment to calm down and think about the piece.”

Q: Who inspired you to go ahead and take part in the Pearl River Digital International Piano Competition? And would you recommend joining competitions to other young pianists?

“I would say definitely my secondary school English teacher, he was very very good at piano and i was just so inspired by him. I think it was also sort of like a challenge to myself, but definitely he (English teacher) was my biggest inspiration. I would definitely recommend joining competitions because it’s very good exposure and getting to meet other people and seeing the different styles, and the different types of music, and when you meet others you find out you still have a lot to learn and even if it’s scary, i still think it’s a good experience.”

 

Intermediate Category 2nd Prize – Zheng FeiLin

6D605128-FDCC-4F0B-8DAE-9CB7ACDF017E_1_105_c

Q: How did you decide to join the Pearl River Digital Piano International Piano Competition that focuses more on 20th Century and contemporary repertoire?

“Previously i was very reluctant to play 20th Century pieces because i thought of them as discordant and very messy, but this ave me an opportunity to just step out of my comfort zone to play pieces that i’ve never really touched before, because i think as a pianist we should be able to touch all types of pieces like Baroque, Classical, Romantic and 20th Century, so this (competition) really gave me the opportunity to do that”

Q: What approach did you take to go about your preparations for this competition that focuses on pieces that are usually outside your comfort?

“It took a lot of practice for me because I’m very used to playing Romantic pieces, and sometimes the style and techniques required is really different, so it took some getting used to.”

Q: What message do you have for other young pianists like yourself who may be hesitant to try music that is out of their comfort zone?

“I think as pianists we should be able to play all types of repertoire because you want to be well-rounded so that when people say ‘oh, can you play this?’ you should be able to touch all types of repertoire and not just focus on any one style of music.”

 

Intermediate Category 1st Prize – Tan Jing Yang

767FAB5F-34F0-4293-AC3A-27932170E93F_1_105_c

Q: What made you decide to join this competition where the focus is on 20th Century and more contemporary works?
“I do enjoy listening to contemporary works, not excluding those non-classical pieces, i do listen to jaz sometimes, i like J-Pop a lot, but i decided to join because I really do want to try to play more 20th century pieces because to be really honest, i have not played much (20th century works) in my repertoire… so I’m very thankful for this opportunity to be able to show that I’m able to play 20th century pieces.”

Q: Was there any difference in preparing for this particular competition compared to competitions you’ve joined before?
“Generally it’s pretty much the same, but for this competition because we are using the digital piano, which is a significant difference from those concert grands that we usually use for competitions,… i had to note down parts which i had difficulty controlling (when i came to practice on the competition instrument) as you know this is totally different from an acoustic piano, (as some parts would be a bit too loud and unbalanced) so i had to control the technique used. And also i have a digital piano at home, and recently I started to use it much more, so this was a good opportunity to (get more use out of it).”

 

Top Prize winners from the Intermediate Category and Open Category will advance to the International Grand Finals in Guangzhou.

For more updates and information, visit the official RS Event Center Facebook Page, Instagram, and our official website!

Read more
E790A1DF 546A 4452 A4AE E52BED73553F
Blog

Classical Music Adventures: Encounters with Chopin – by Li Churen

24th September 2022 – We got to see the Cristofori Full Concert Grand Piano CG275 in action at the Our Tampines Hub Festive Arts Theatre under the expert hands of Singaporean Pianist and Composer Churen Li in one of her Classical Music Adventures, Encounters with Chopin.

In this series, Churen seeks to bring Classical Music to the young audience through performances, discussion, games and interactive learning. Churen spoke about each of the pieces played in the program to educate the audience on Chopin’s life and different works. The stage setup featured the grand piano framed by kinetic sculptures by art director Phoebe Zoe Ho & team that used shapes, flowing lines, different colors and textures to depict the movement and flow of Chopin’s music.

F085D7E41F97

Her playing paired perfectly with the resonant sound of the Cristofori CG275. This piano is Made in Korea by Young Chang – who are among the largest and most automated of the world’s piano manufacturers. The Cristofori CG275 features all top-quality materials and craftsmanship including solid spruce soundboards.

BD2DD6E7C931

Singaporean pianist Churen Li seeks innovative and personal approaches to concert programming, combining diverse genres with improvisatory and experimental practices. Churen attained her Bachelor’s Degree from the Yong Siew Toh Conservatory of Music (National University of Singapore), where she graduated aged 19 as the youngest of her cohort. She attained her two Masters Degrees (in music and in philosophy, respectively) from Yale University and Cambridge University. Churen is currently an Artist Fellow at the Yong Siew Toh Conservatory of Music. Her past teachers include Albert Tiu, Bernard Lanskey, Paul Liang, Peter Frankl and Hung-Kuan Chen. 

Catch more of the Cristofori CG275 in action @ Our Tampines Hub:

17 December 2022

Classical Music Adventures: Encounters with Schumann

Festive Arts Theatre, Our Tampines Hub, Singapore

25 March 2023

Classical Music Adventures: Encounters with Ravel

Festive Arts Theatre, Our Tampines Hub, Singapore

 

Click the link below to watch the full video:

https://www.facebook.com/OurTampinesHub/videos/2275182382632273

Read more